AGNES UNDER THE BIG TOP: A TALL TALE by Aditi Brennan Kapil
AFTERLIFE : A GHOST STORY by Steve Yockey
LOST BOY FOUND AT WHOLE FOODS by Tammy Ryan
TWO JEWS WALK INTO A WAR... by Seth Rozin
26 MILES by Quiara Alegría Hudes

“The Smith Prize was a great shot in the arm for me. It served as a valuable affirmation from my peers that my work is both of a high quality and exploring important issues. ”

-Seth Rozin, 2007 Smith Prizewinner, Black Gold

“In an industry as competitive, as unstable, and as personal as theater, the acknowledgment from a national body of professional theaters that the Emerging Playwright Residency gives a young writer is invaluable.”

-Jennifer Fawcett, Playwright-in-Residence 2009

“NNPN really acts as a new play grapevine. Because member theaters are in regular contact, they get to know each theater's mission and tastes and a recommendation from one member to another is much more meaningful. Those relationships have helped my work find a home. ”

-Allison Moore, Hazard County, Collapse
 

“In grad school I was writing politically, socially-derived works, not blockbusters. I saw very little future for my voice. Then NNPN invited me in... I am not only a better writer because of my association with them, but I am a better artist, and witnessing their generosity, a better person. ”

-Sean Christopher Lewis, Playwright-in-Residence 2008

 

“The National New Play Network is so vital and necessary - one of those really bright ideas - that one wonders why it took so long for theaters to get together and create it.”

-Yussef El Guindi, Jihad Jones and the Kalashnikov Babes

 

 

“I was and remain deeply honored and encouraged by the Smith Prize… I love that the prize is awarded to a script and not a production… I love that NNPN is working against premiere-itis.”

-Y York, 2008 Smith Prizewinner, ...And LA is Burning

“NNPN not only lives up to its mission of championing ‘the development, production, and continued life of new plays,’ but also champions the authors of those new plays in the long journey from page to stage.”

-John Biguenet, Rising Water, Shotgun

“I can't say enough about the impact the Continued Life Program had on my play. That elusive and desirable thing called 'buzz' that consecutive productions can create… very much became the case for Love Person. Three productions grew to six thanks to NNPN.”

-Aditi Brennan Kapil

“[CLNPF] secures for the playwright not simply a 'product' (the premiere) – but a process (the ongoing series of productions)... The model – giving several theatres a crack at a new work, giving a writer several chances at their revisions – is a godsend."

-Steven Dietz, Yankee Tavern

 

“[NNPN’s] professional network is as vital (and unique) as the artistic support -- I've not found any other group that offers both.”

-Eric Coble, For Better

NNPN Selects Six Plays for 2012 Showcase in DC

 

SIX SCRIPTS SELECTED FOR 10th ANNUAL

NATIONAL SHOWCASE OF NEW PLAYS

PLAYS TO GET READINGS NOVEMBER 29 – DECEMBER 2 IN WASHINGTON, DC

 

WASHINGTON, DC - The NATIONAL NEW PLAY NETWORK (NNPN), the country’s alliance of non-profit theaters that champions the development, production, and continued life of new plays, will produce six American and two Australian new plays in staged reading format at its National Showcase of New Plays, hosted November 29 – December 2 in Washington, DC by Woolly Mammoth Theatre Company.  A committee of artistic, managing and literary leaders from across the country selected plays by Christina Anderson, Steven Dietz, Carson Kreitzer, Carlos Murillo, Peter Sinn Nachtrieb, and Steve Yockey for the tenth installment of the Showcase.  Two additional plays by Australian playwrights, soon to be announced, comprise the first half of a new international exchange program, with Sydney-based PlayWriting Australia, that country’s premier playwright-support organization.


ABOUT THE SELECTED PLAYS

BlackTop Sky by Christina Anderson, submitted by Unicorn Theatre.  Klass, a homeless young man, sets up residence in the courtyard of a housing project where Ida Peters lives.  Triggered by a confrontation between a local street vendor and the police, they quickly develop a precarious bond. Inspired by the Greek myth “Leda and the Swan,” BlackTop Sky explores the concept of love, violence, and seduction.  Anderson was 2011-12 NNPN Playwright-in-Residence at Magic Theatre; BlackTop Sky will receive its world premiere production at Unicorn Theatre (in Anderson’s hometown, Kansas City, MO) in January 2013.

 

Diagram of a Paper Airplane by Carlos Murillo, submitted by New Dramatists. Widely produced and widely admired, playwright Carlos Murillo weaves his latest tale about a reclusive American playwright named Javier C., who dies in a freak flash flood in the wilds of New Mexico. As a final act before his death he sends fragments of his last play, Diagram of a Paper Airplane, to a group of his former collaborators and friends, forcing them to come together after 20 years of estrangement. Will the fragments of his final opus shed light on a secret they've been harboring all these years? 

 

Lasso of Truth by Carson Kreitzer, an NNPN Commission submitted by Marin Theatre Company.  Who is Wonder Woman and where did she come from?  One of the country’s most incisive and adventurous playwrights (The Love Song of J. Robert Oppenheimer, Slow Drag) turns her lyrical, hard-hitting eye to the knotty origin story of the first-ever female comic book hero.  There she finds William Marston – renowned early 20th-Century psychologist, inventor of the lie-detector machine, and creator of the legendary character.  Kreitzer’s hallucinatory script crashes Marston’s ideas and biography together with onstage manifestations of the two women he actually lived with in a polyamorous relationship:  the Wife and the Amazon. 

 

Pluto by Steve Yockey, submitted by the playwright.  In the wake of a local tragedy, single mother Elizabeth Miller and her withdrawn son Bailey try to jump-start their relationship across the breakfast table. But with berserker appliances, shifting astronomy, the talkative new family dog, and some noisy, angry forces threatening to invade her kitchen, Elizabeth might not be able to really “see” the person she needs to see most.  Yockey, a Rolling World Premiere alumnus for Afterlife and the upcoming Wolves, was 2009-10 NNPN Playwright-in-Residence at Marin Theatre Company.

 

Rancho Mirage by Steven Dietz, submitted by the playwright. From one of America's most widely-produced playwrights (and a Rolling World Premiere alumnus for Yankee Tavern) comes a bitingly funny black comedy about what happens when the fictions that hold our lives together are exposed.   In Dietz's sharp and surprising sojourn into the psyche of 2012 America -- where affluence is perhaps our greatest mirage — three couples, long-time friends, find themselves at a dinner party where everyone finally decides to tell the truth.  What remains between us when our youth, our dreams, and our last bottle of wine is gone?

 

The Totalitarians by Peter Sinn Nachtrieb, NNPN Commission, lead theater Southern Rep.  We might be on the brink of revolution in Nebraska.  Penny, a compulsive and compulsively-watchable candidate for state office enlists the help of Francine, a silver-tongued operative.  Francine’s husband Jeffrey, a doctor, is lying to his dying patients – one of whom opens his eyes to Penny’s nefarious plans for the Cornhusker State.  The newest play from the author of boom and BOB was commissioned by NNPN through the Full Stage/USA Program at New Dramatists with a lead grant from the Andrew W. Mellon Foundation.

 

ABOUT THE NATIONAL SHOWCASE OF NEW PLAYS

The National Showcase of New Plays is a traveling new-play festival that presents the country’s best unproduced plays in staged reading format to an intimate gathering of theater professionals.  With artistic leadership from most of our 26 Core Member and 13 Associate Member Theaters in attendance, the Showcase creates a unique, invaluable opportunity for production-ready scripts to be heard by the people most willing to produce them.  In addition to artistic and managing directors, we invite a group of 100 playwrights, literary managers, playwright agents, and other colleagues from around the country to network with us on behalf of the plays and playwrights we present.  The vast majority of the scripts read at the Showcase go on to professional productions within and outside the Network.

 

There is no charge to attend the Showcase, but it is by invitation only.  To request an invitation, please email NNPN General Manager Jojo Ruf at Jojo@nnpn.org

 

ABOUT NNPN

The National New Play Network (NNPN) is the country’s alliance of non-profit professional theaters that champions the development, production, and continued life of new plays.  Since its founding in 1998, NNPN has commissioned eighteen playwrights, provided nearly twenty MFA graduates with paid residencies, and supported over 100 productions nationwide through its innovative Continued Life of New Plays Fund, which creates “Rolling World Premieres” of new plays. Hundreds of artists have gained employment through these efforts in the 24 regions of the country where NNPN Core Member Theaters are located. NNPN receives substantial support from the Andrew W. Mellon Foundation, the Harold and Mimi Steinberg Charitable Trust, the Shubert Foundation, and the National Endowment for the Arts.  The Network is comprised of a relatively small group of Core Members, who pioneer and implement collaborative new play strategies, and a growing group of Associate Members, who disseminate the Network's programs and strategies nationwide.

 

NNPN’s Core Member Theaters are:  Actor’s Express Theatre (Atlanta), Actor’s Theatre of Charlotte (Charlotte, NC), Borderlands Theater (Tucson), Curious Theatre Company (Denver), Florida Studio Theatre (Sarasota), Fountain Theatre (LA), Horizon Theatre Company (Atlanta), InterAct Theatre Company (Philadelphia), Kitchen Dog Theater (Dallas), Magic Theatre (San Francisco), Marin Theatre Company (Mill Valley, CA), Mixed Blood Theatre Company (Minneapolis), New Jersey Repertory Company (Long Branch), New Repertory Theatre (Watertown, MA), New Theatre (Coral Gables, FL), Orlando Shakespeare Theater (Orlando), Performance Network Theatre (Ann Arbor, MI), Phoenix Theatre (Indianapolis), Playwright’s Theatre of New Jersey (Madison), Prop Thtr Group (Chicago), Riverside Theatre (Iowa City, IA), Salt Lake Acting Company (Salt Lake City), San Diego REPertory Company (San Diego), Southern Rep (New Orleans), Unicorn Theatre (Kansas City, MO), and Woolly Mammoth Theatre Company (Washington, DC).

 

NNPN’s Associate Member Theaters are: Bloomington Playwrights Project (Bloomington, IN), Capital Stage (Sacramento, CA), Centenary Stage Company (Hackettstown, NJ), CENTERSTAGE (Baltimore, MD), Everyman Theatre (Baltimore, MD), HotCity Theatre (St. Louis, MO), Mo’olelo Performing Arts Company (San Diego, CA), Passage Theatre Company (Trenton, NJ), Plan-B Theatre Company (Salt Lake City, UT), Purple Rose Theatre Company (Chelsea, MI), Road Less Traveled Productions (Buffalo, NY), and Zoetic Stage (Miami, FL).

 

-- END --