26 MILES by Quiara Alegría Hudes
JIHAD JONES at Kitchen Dog Theater
YANKEE TAVERN by Steven Dietz
JERICHO by Jack Canfora
COLLAPSE by Allison Moore

“[NNPN’s] professional network is as vital (and unique) as the artistic support -- I've not found any other group that offers both.”

-Eric Coble, For Better

"The generosity and vitality of this unique and much needed organization ultimately benefits playwrights, theatres, audiences and the culture."

-David Rambo, The Ice Breaker

“NNPN really acts as a new play grapevine. Because member theaters are in regular contact, they get to know each theater's mission and tastes and a recommendation from one member to another is much more meaningful. Those relationships have helped my work find a home. ”

-Allison Moore, Hazard County, Collapse
 

“I can't say enough about the impact the Continued Life Program had on my play. That elusive and desirable thing called 'buzz' that consecutive productions can create… very much became the case for Love Person. Three productions grew to six thanks to NNPN.”

-Aditi Brennan Kapil

“I was and remain deeply honored and encouraged by the Smith Prize… I love that the prize is awarded to a script and not a production… I love that NNPN is working against premiere-itis.”

-Y York, 2008 Smith Prizewinner, ...And LA is Burning

“In grad school I was writing politically, socially-derived works, not blockbusters. I saw very little future for my voice. Then NNPN invited me in... I am not only a better writer because of my association with them, but I am a better artist, and witnessing their generosity, a better person. ”

-Sean Christopher Lewis, Playwright-in-Residence 2008

 

“In an industry as competitive, as unstable, and as personal as theater, the acknowledgment from a national body of professional theaters that the Emerging Playwright Residency gives a young writer is invaluable.”

-Jennifer Fawcett, Playwright-in-Residence 2009

“The National New Play Network is so vital and necessary - one of those really bright ideas - that one wonders why it took so long for theaters to get together and create it.”

-Yussef El Guindi, Jihad Jones and the Kalashnikov Babes

 

 

“The Smith Prize was a great shot in the arm for me. It served as a valuable affirmation from my peers that my work is both of a high quality and exploring important issues. ”

-Seth Rozin, 2007 Smith Prizewinner, Black Gold

“[CLNPF] secures for the playwright not simply a 'product' (the premiere) – but a process (the ongoing series of productions)... The model – giving several theatres a crack at a new work, giving a writer several chances at their revisions – is a godsend."

-Steven Dietz, Yankee Tavern

 

National New Play Network Announces 31st Rolling World Premiere: HAPPY by Robert Caisley

WASHINGTON, DC - The NATIONAL NEW PLAY NETWORK (NNPN), the country’s alliance of non-profit theaters that champions the development, production, and continued life of new plays, announces its 31st Rolling World Premiere:  Robert Caisley’s Happy will receive four productions through the Network’s Continued Life of New Plays Fund in the 2012/13 season, NNPN’s 15th.  Happy will begin its Rolling World Premiere at Montana Rep (Missoula, MT, October 19 – November 3), followed by performances at New Theatre (Miami, FL, November 30 – December 16), 6th Street Playhouse (Santa Rosa, CA, April 5 – 21), and New Jersey Rep (Long Branch, NJ, May 23 – June 23).  Happy was presented at NNPN’s National Showcase of New Plays in November 2011 in Philadelphia, at InterAct Theatre Company.
 
ABOUT THE PLAY
Alfred is happy about his life. Really happy. He’s happy with his job. He’s happy with his fourteen year marriage to Melinda. He’s even happy raising his special needs daughter, Claire, who’s confined to a wheelchair. But when his bohemian artist best friend Eduardo invites him to dinner to meet the latest woman in his life, a dour twenty-two year-old art student suspicious of anything ‘upbeat,’ things spin out of control.
 
ABOUT ROBERT CAISLEY
Robert Caisley is Associate Professor of Theatre & Film, and Head of the Dramatic Writing Program at the University of Idaho. He was named the 2011 Blaine Quarnstrom Visiting Playwright at the University of Southern Mississippi. His play Happy presented at the 2011 National New Play Network Annual Showcase of New Plays was a Finalist this year for both the Eugene O’Neill Theatre Center’s New Play Conference and the Woodward/Newman Award for Drama. His other plays include Kissing (New Theatre, Coral Gables, FL), The Lake (Walnut Street Theatre, Philadelphia), Good Clean Fun (Montana Actors Theatre, Missoula), The 22-Day Adagio (Mill Mountain Theatre, Roanoke, VA), Front (Sundance Playwright’s Lab), Kite’s Book (6th Street Playhouse, Santa Rosa, CA), Letters to an Alien (Mad Horse Theatre, Portland, ME), Santa Fe (StageWorks/Hudson, New York, Finalist for the Heideman Award) and Winter which received its World Premiere at New Theatre in January, 2012. His play Front will be published later this summer by Samuel French, Inc.
 
ABOUT MONTANA REP
The Montana Repertory Theatre is the professional Theatre in residence at The University of Montana. Its mission is to “tell the great stories of our world to enlighten, develop and celebrate the human spirit in an ever-expanding community”. The Montana Rep consists of a national touring program, bringing American classics to medium and small communities; an educational outreach component serving middle and high schools in Montana; “The Missoula Colony”, a gathering of artists in support of the writers craft; and “Montana Rep Missoula” bringing cutting edge theatre to downtown Missoula.
 
ABOUT NEW THEATRE
New Theatre, a NNPN member company, produces plays that stimulate, provoke, challenge and entertain audiences since 1986.  Housing over a hundred World/Florida Premieres, commissioned plays, and the classics, New Theatre aims at cultivating a diverse South Florida audience. Among its premieres/ commissions:  Pulitzer Prize and Steinberg award-winning play Anna in the Tropics by Nilo Cruz; Steinberg and Osborn award finalist Just a Kiss by Catherine Bush; Tony Award Winning Playwright Shirley Lauro’s The Radiant with Angelica Torn; O'Neill Semi-Finalist Robert Caisley's Winter; and Ambie Award Winning playwright David Caudle's In Development, Likeness and The Sunken Living Room, among many more.
 
ABOUT 6th STREET PLAYHOUSE
In 2004, a new partnership reunited the Santa Rosa Players and Actors Theatre under one board of directors. Together they renovated the 107-year-old Del Monte cannery into the 6th Street Playhouse, which houses a 185-seat mainstage (The G. K. Hardt Theatre) and a 99-seat black box theatre (The Studio Theatre).  6th Street Playhouse is a performing arts organization that produces live theatre and provides education programs of the highest quality that engage, delight, and inspire the diverse communities of the North Bay region.  6th Street Playhouse is the central hub of the Sonoma County arts scene. It is known throughout the region for its high level of artistry, its professionalism, its inclusive educational opportunities and the bravery of its approach to work both new and old.  In its 2011-2012 Season, under the new direction of Artistic Director, Craig Miller, and Managing Director, Michael Fontaine, the 6th Street Playhouse was named “Best Theatre Troupe” and “2012 Theatre of the Year” by the North Bay Bohemian and BroadwayWorld.com San Francisco.
 
ABOUT NEW JERSEY REP
The New Jersey Repertory Company was founded in 1997. Its mission is to develop and produce new plays and to make a lasting contribution to the American stage. Since it opened its doors 15 years ago, the theater has produced 62 world premieres and has presented over 350 developmental readings of new works.